At Stills, we believe photographs, campaigns, films, and creative work that stay with people usually begin with a distinct point of view. Created in collaboration with sister brands Musicbed and Filmsupply, Film & Music Periodical spotlights the people behind that work and the cultural conversations influencing where creative industries are headed next.
Created in collaboration with sister brands Musicbed and Filmsupply, Film & Music Periodical is a new editorial publication exploring the creative ideas, cultural shifts, and artists shaping what’s next across film, TV, and advertising work.
Request your copy of the next issue of Film & Music Periodical here.
Each issue brings together photographer spotlights, filmmaker features, visual storytelling, creative commentary, curated recommendations, and industry perspectives from across the FM family of brands. Readers will also find conversations around emerging creative trends, cultural movements shaping visual work, and stories connected to the wider creative community.
At its core, the editorial publication was built around the idea that creative inspiration should feel intentional. In an industry increasingly shaped by speed and automation, Film & Music Periodical exists to create space for thoughtful curation, deeper inspiration, and the artists continuing to shape meaningful creative work.
We highlight Stills photographers, such as 2025’s Lifestyle Artist of the Year, Lauren Withrow — as well as other Stills Award Winners like Roman Fox, Darren Sacks, Emily Hawkes, and more.
See all the 2025 Stills Award Winners.
The publication was intentionally designed as a physical experience.
“We wanted to create something tangible,” says Musicbed Creative Director Spencer Cogburn. “Something people leave on studio tables, revisit for inspiration, and share across creative teams.”
Printed as a full-color broadsheet newspaper, Film & Music Periodical was intentionally designed to feel tactile, collectible, and worth returning to, not something lost in the scroll or algorithm.
The first issue is now making its way into agencies, production companies, studios, and creative spaces around the world.
