Worldbuilding, the Apocalypse, and Star Wars: How Visionary Filmmakers Set the Stage for “Carry Us”

Mitchell Mullins and Nick Dean discuss their year-long creative journey that gave life to their post-apocalyptic spec ad "Carry Us."
Thumbnail from "RED," episode 2 of BlackMilk Studio's sci-fi anthology series, A Thousand Suns.

High Stakes & Low Light: How Blue Hour Set the Stage for “RED,” Ep. 2 of A Thousand Suns

Filmmaker Macgregor talks to us about RED, the latest installment of A Thousand Suns, and discusses his use of natural…

Case Study: How Filmsupply Helped Give Nature a Voice for the Royal Ontario Museum

Filmmaker Rune Milton talks about the inspiration behind his film for the Royal Ontario Museum, "Opera".
color grading software

Understanding the Basics of Cinematic Color Grading

Understand the color-grading stage of the post-production process of filmmaking.
Dallas-Taylor-Defacto-Sound

How Editors and Sound Designers Can Work Together to Elevate a Project

In this article from our friends at Defacto Sound, Dallas Taylor and Jai Berger talk about how editing and sound…

Director Manjari Makijany on Finding Commercial and Narrative Success

Hear from the acclaimed director on how to effectively balance the shift between narrative and commercial work.

Wordle: The Ultimate Case Study for A Passion Project

There’s something about the recent Wordle phenomenon that just feels right. Maybe it’s because we love a great “rags to…

4 Elements of Receiving Creative Feedback

Let’s break down four elements of embracing and getting the most out of professional creative feedback.

Going from Assistant Editor to Editing Your First Feature: An Inside Look

Editor Chris Tonick ('Guardians of the Galaxy') shares his experience in networking, navigating industry politics, and landing his first lead…

The Hard Truth: YETI’s Scott Ballew on Authentic Storytelling

There’s no shortcut to being a good storyteller, but there is a secret to it: you have to live. Because…